Julie Niemi

curator/writer/editor


currently reading
David Hammons: Bliz-aard Ball Sale
by Elena Filipovic

Revolting Prostitutes:
the Fight for Sex Worker Rights
by Juno Mac & Molly Smith 

The Emigrants 
by W.G. Sebald
 

currently doing 
Collection Question Residency
Wendy’s Subway, Brooklyn, NY
August 21–31, 2019

Collective Question in Loosely Assembled 
SBC Gallery of Contemporary Art 
Montreal, QC
February 15–April 15, 2019

Foundation for Arts Intitiatives (FfAI)
Grant Recipient for extended research
on Tolstoy College
June 2018–June 2019


recently doing 
Assistant Curator
John Michael Kohler Arts Center


Bibliothèque Kandinsky's Summer University
Centre Pompidou
July 2018


Curator in Residence
Contemporary Art Stavanger, Norway
October 2017


Moving Image Residency
EMPAC
July 2017


Curator
The Barn
2016–2017



say hello  
 julieaniemi@gmail.com
 +1.918.946.6290 
view cv



other internet places 




Julie Niemi (b. 1988, Fayetteville, Arkansas, raised in Tulsa, Oklahoma) is an independent curator, writer, and editor based in Los Angeles, CA. Through research, design, writing, and exhibition making, her projects grapple with counter histories in the United States. These projects typically look to the built-environment as a starting point for inquiry, utilizing scraps of archives and natural resources to tell a longer story of unknown persons, regional places, nameless figures, and collectives.  

Currently, she co-runs Diagram Press, is part of the working group Collective Question, and a recent recipient of a 2018 grant from the Foundation for Arts Initiatives.

Julie received an M.A. from the Center for Curatorial Studies, Bard College, where she was commissioning editor of aCCeSsions. Her thesis at CCS Bard was on Tolstoy College, an anarchist educational community active at the University at Buffalo in the 1970s and ‘80s. From 2013–2015, she was co-founder and editor of VIA Publication. Her writing has appeared in Frieze, Temporary Art Review, CAS, and Art21 Magazine

Her recent exhibitions and projects include:
The Autotopographers 
The Barn
K8 Hardy: Undergirding Heroine Ensemble
Studies from the Bottom Up

Previously, she held positions as Assistant Curator at the John Michael Kohler Arts Center, Curatorial Fellow at the Henie Onstad Kunstsenter, Oslo, Norway, and as Communications Associate at the Museum of Contemporary Art, Los Angeles.

She has provided editorial and marketing support for: RAM Publications, Los Angeles; Project Projects, New York; Inventory Press, New York; and East of Borneo, Los Angeles. She has given talks at the Centre Pompidou, University of California, Los Angeles, Independent Curators International, and Threewalls